April 2025
Belgrade has a quality that most cities have optimized out of themselves. It still looks like something happened here, and might again.
Read →March 2025
Linklater never gives you the shot you expect. The handheld isn't there to be seen — it's there to make you forget you're watching.
Read →February 2025
Serbian doesn't forgive imprecision. Neither does cinema. Learning both at once has made me worse at both in ways that feel important.
Read →January 2025
A commercial shoot doesn't have to look commercial. Here's how the Glaxfi shoot came together — and what I'd do differently.
Read →December 2024
The pursuit of efficiency in post-production was quietly making me a worse editor. Friction has a place.
Read →November 2024
Quick trip across the border. Brought the camera. The city has been waiting for someone to notice it for about thirty years.
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